Get ready for a hilarious ride through airport security! CBS is taking on a bold new comedy project that’s sure to spark conversations—and maybe even a few debates. After the success of their workplace comedy set at a state DMV, CBS and Kapital Entertainment are doubling down on government agency humor, this time with a federal twist. But here’s where it gets controversial: Can a show about TSA officers balance laughs with the serious realities of their job?
The network is developing Checkpoint, a single-camera comedy co-written and executive produced by the multi-talented X Mayo and comedy veteran Mike Sikowitz. Based on Mayo’s own experiences as a former TSA agent at LAX, the series is poised to star her as one of the officers navigating the chaotic intersection of career, love, and friendship—all while trying to keep their sanity and, of course, America safe. And this is the part most people miss: How do you turn the high-stress, often thankless job of a TSA officer into relatable, laugh-out-loud comedy?
X Mayo and Sikowitz are joined in the executive producer roles by Kapital Entertainment’s Aaron Kaplan, with Dylan Hammalian co-executive producing. The project stems from a follow-up meeting between Kaplan and Mayo, where she shared anecdotes from her TSA days, sparking the idea for Checkpoint. Mayo previously collaborated with Kaplan on NBC’s American Auto, where she was a series regular.
Sikowitz, known for his work on hits like The Goldbergs and Rules of Engagement, brings his seasoned expertise to the table. Meanwhile, Mayo’s star continues to rise with roles in Disney+’s Wonder Man Marvel series, Apple TV’s Loot, and ABC’s Abbott Elementary. She’s also set to appear in the Scrubs reboot and was recently seen in Freakier Friday. Represented by UTA, 3 Arts, and Frankfurt Kurnit Klein & Selz, Mayo’s comedic chops and writing background—including her time at The Daily Show with Trevor Noah—make her a perfect fit for this project.
CBS and Kapital Entertainment’s partnership extends beyond Checkpoint, with the sophomore drama Watson and the long-running sitcom The Neighborhood (now in its final season) under their belt. The single-camera offshoot Crutch also recently debuted on Paramount+.
But here’s the question we’re all thinking: Will Checkpoint fly with audiences, or will it get stuck in comedic turbulence? Let us know your thoughts in the comments—do you think this show can strike the right balance between humor and the realities of TSA life? Or is it a risky takeoff that might not land smoothly?
